Experience the coast in a new way with New Haven artist Shilo Ratner. Her geometric abstract paintings, collages, and limited-edition prints distill the shoreline into form, color, and movement, each framed and ready to hang.
Traces of Stillness is a contemplative 6×6 inch collage series by Shilo Ratner exploring quiet mountain landscapes through minimal form, layered paper, and subtle geometry. Original works on paper available now.
Nature has an incredible way of grounding us — and that influence is central to my landscape-inspired artwork. Rather than painting literal scenes, my work abstracts natural forms into simplified shapes and layered compositions.
Explore the quiet luxury of slowing down. As both artist and collector, I share how abstract landscape art creates visual pauses that invite presence, breath, and mindful living.
Shilo Ratner's work selected for Best in Show at Aedra Fine Arts Fortune Favors Exhibition. Curator Michael Hanna reviews her geometric abstract paintings, describing them as "poetic" with "angular beauty and grace."
Art is connection. Discover the creative philosophy behind minimalist landscape paintings that transform nature's impressions into expansive, meditative works designed to bring quiet sophistication and grounding to your space.
How mountain paintings and meditation practice help create art that brings calm to your space. Discover the inspiration behind Shilo Ratner's geometric mountain landscapes and full moon paintings.
LV No. 9 is a 44x28 original mixed media abstract painting on paper — anchored by a blazing fluorescent pink geometric form and the word LOVE. It evokes the freedom of sailing.
Daily Nutmeg writer Kathy Leonard Czepiel reviews Shilo Ratner's 2020 solo exhibition at DaSilva Gallery, exploring how her geometric abstract paintings use color, shape, and repetition to create calm, meditative visions in chaotic times.
A reflection on Hidden Depth, my May 2019 solo exhibition at Bryant Street Gallery in Palo Alto, and what geometric abstraction, constraint, and sustained looking meant to my practice at the time.
People ask me often which of my paintings would work best in their living room. It's one of my favorite questions, because it's never really about the painting alone. It's about how a work of art changes the feeling of a room, and what you want to feel when you walk in.
A personal reflection on visiting the Sanctuary of Dom Bosco in Brasília—and what it means to stand inside a space defined entirely by blue.
Richard Diebenkorn's Notes to Myself, found among his papers after his death in 1993, remain some of the most honest and useful words ever written about the creative process in abstract painting. Here's what they mean to my practice.
How studying Josef Albers' color theory, twice and in two different academic contexts, permanently changed the way I see, build, and teach color.
As an artist whose work has been exhibited in museums and represented by respected galleries, I’ve seen how a painting can transform a space, spark conversation, and even become an investment. First-time collectors often wonder whether a piece will “fit” their home or lifestyle, but the truth is: trust your instincts.
What made this exhibition particularly meaningful was the caliber of its juror: Marcela Guerrero, Assistant Curator at the Whitney Museum of American Art. Guerrero's curatorial practice centers on expanding the canon of American art, with a focus on underrepresented artists and the expressive power of color and abstraction.