Search Results: abstrait

I still remember the first painting I bought for myself. I was in my early 20s, standing in a small gallery, going back and forth on whether I should do it. It felt like a big deal, because it was. I was excited, but also nervous about spending the money. I didn't fully understand yet what it meant to live with a piece of original art, only that I wanted my apartment to feel more like mine, more considered, more complete.

Large-scale public art installation: Pockets Filled With Hope, a 5x10ft geometric abstract painting by Shilo Ratner, installed at Southern Connecticut State University School of Business.

Explore the quiet luxury of slowing down. As both artist and collector, I share how abstract landscape art creates visual pauses that invite presence, breath, and mindful living.

How studying Josef Albers' color theory, twice and in two different academic contexts, permanently changed the way I see, build, and teach color.

Artist Shilo Ratner's climate change-inspired painting Arctic Lands was selected by Guggenheim Curator David Max Horowitz for the Greenwich Art Society's 106th Annual Open Exhibition.

Art is connection. Discover the creative philosophy behind minimalist landscape paintings that transform nature's impressions into expansive, meditative works designed to bring quiet sophistication and grounding to your space.

A reflection on meeting Theophilus Brown after being selected for the Art Space 712 portrait exhibition in San Francisco.

A personal reflection on visiting the Sanctuary of Dom Bosco in Brasília—and what it means to stand inside a space defined entirely by blue.

Shilo Ratner's work selected for Best in Show at Aedra Fine Arts Fortune Favors Exhibition. Curator Michael Hanna reviews her geometric abstract paintings, describing them as "poetic" with "angular beauty and grace."

A reflection on the Georgia O'Keeffe traveling exhibition at the de Young Museum in San Francisco, and what her wit, obsession, and lifelong drive to create continue to mean to my practice as a painter.

Early decisions act as constraints, but not in a restrictive way. They create direction. A horizon line placed slightly higher or lower shifts the entire spatial experience. A compressed shape changes how the surrounding space breathes. A color introduced too early can either anchor the work or flatten it. These choices don't just sit on the surface. They organize everything that follows. The painting begins to build from that first condition.

In August 2015, Shilo Ratner participated in the nationally juried Annual Contemporary Art Survey at The Lincoln Center in Fort Collins, CO, with guest juror Dean Sobel, Executive Director of the Clyfford Still Museum.

Shilo Ratner reflects on her Open Studio at Erector Square in New Haven, CT in October 2016, connecting the event's creative energy to the city's deep artistic and industrial heritage, from Josef Albers at Yale to Eli Whitney's legacy of innovation.

Meeting Fields didn't feel like encountering a distant figure from art history. It felt grounded, human. He wasn't performing the role of "artist." He was simply someone who had spent a lifetime looking, really looking, at color, and following it as far as it could go.

Most conversations about art end at the point of purchase. But what happens after a painting comes home? That's where the real story begins, and where the value of original art truly reveals itself.

New Haven artist Shilo Ratner reflects on how motherhood reshaped her studio practice from late-night painting to 5:30am starts—and how that shift shapes her geometric abstract work.